圍群 MONUMENT of APRON

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$ 8888888.00
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Edited by 瞿畅 QU Chang from a chapter of her as-of-yet unfinished thesis “Feels a Lot Like Love: Love'in(g) Post-Reform China“.

妈妈骂骂抹抹吗吗<br> Mamamamamamamama
$ 888.00
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Notes for stepping into circulations with ultra-dependency.

Ultra-Circulation
$ 148.00
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The translated artist reproduction of A Better Life for the Workers (I), first published by the now defunct (guess why?) Hong Kong NGO Workers' Empowerment, cannot really be purchased here, but read this first, or learn more and buy from the Display Distribute distro.

工人美好生活百科<br> A Better Life for the Workers
$ 0.00
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The many-pocketed apron dress, 2008-2013

Caroline Woolard 的圍裙

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Edited by 瞿畅 QU Chang from a chapter of her as-of-yet unfinished thesis “Feels a Lot Like Love: Love'in(g) Post-Reform China“.

妈妈骂骂抹抹吗吗<br> Mamamamamamamama
$ 8.00
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If affect now also moves as a series of interconnected nodes in a inextricably capitalist infrastructure, does the ‘romance’ of a hand-to-hand remain only a complicit minor, or is it also possible to ‘ethically’ lay (larger societal) effects aside, become more aware of unintentionally superimposing growth or impact expectations on things where value might rather be found in subjective-collective experience, and functioning as an experiment? Is it still possible to discuss experience?

logistical notes between fulfillment and discontent
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原文來自於《馮火》月刊第76期,2019年5月。

This text was first published in the 76th issue of Fong Fo monthly, May 2019.

从四元素角度看「后勤慢递」物流方式的价值 <br>Examination of LIGHT LOGISTICS using a Quaternion Mathematics Perspective
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「展銷場」對「聯合公告」的公開信 <br>An Open Letter to United Motion from Display Distribute

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The many-pocketed apron dress, 2008-2013

Caroline Woolard 的圍裙
$ 0.08
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「展銷場」對「聯合公告」的公開信 <br>An Open Letter to United Motion from Display Distribute
$ 0.80
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Konbini apron

朱建林的圍裙
$ 0.88
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An apron for printing.

點點宣傳部的圍裙
$ 8.00
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何穎雅2016年夏天的一個用忍耐力的人肉物流試驗。

A logistical endurance experiment by Elaine W. HO in the summer of 2016.

一人慢遞公司<br> One-Person Slow Courier Company
$ 8.00
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If affect now also moves as a series of interconnected nodes in a inextricably capitalist infrastructure, does the ‘romance’ of a hand-to-hand remain only a complicit minor, or is it also possible to ‘ethically’ lay (larger societal) effects aside, become more aware of unintentionally superimposing growth or impact expectations on things where value might rather be found in subjective-collective experience, and functioning as an experiment? Is it still possible to discuss experience?

logistical notes between fulfillment and discontent
$ 8.00
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在看尤伦斯的展览当中……

中国摄影书记
$ 8.88
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原文來自於《馮火》月刊第76期,2019年5月。

This text was first published in the 76th issue of Fong Fo monthly, May 2019.

从四元素角度看「后勤慢递」物流方式的价值 <br>Examination of LIGHT LOGISTICS using a Quaternion Mathematics Perspective
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Both money and time are  ⚖︎ ♥︎ ♒︎  „spent”  ☕︎ ☔︎ ✍︎ . To spend is the blossoming of the bouquet on its way towards death. Transactions „flower” and search for other values.

穿時間<br> wearing time, piercing time
$ 18.00
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paperbridgeee is an artist and professional dilettante who organises events ranging from performative tea parties to book shop order deliveries as co-conspirator of Display Distribute.

paperbridgeee 的底裙
$ 28.00
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From Migrants Pride 2018; Chater Road, Hong Kong, 17 November

Migrant Pride block printing的圍裙
$ 58.00
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展銷場的《目錄》導論,2017年,第4-11頁。

Editorial piece from Display Distribute’s 『CATALOGUE』, 2017, pp. 4-11.

發行流通的美學:沿黑環而行<br> Aesthetics of Circulation: Along The Black Rim
$ 80.00
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Apron for aesthetics and survival

Dilomprizulike 的圍裙
$ 80.00
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Kana shodo (translating as 'woman's hand') is a Japanese script parallel to 女書 nvshu but native to Japan.

「無效率的美感」<br>“The beauty of inefficiency“
$ 80.08
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F fashion is not only a kind of appearance or, an inner, popular may not be suitable for you, but according to their own characteristics to dress up yourself, you belong to that kind, mature, lady, or simple and natural, or pure, or movement, a fact that can all be fashionable.

“The Shanzhai Lyric” by Ming LIN and Alexandra TATARSKY originally published in The New Inquiry, 2015.

The Shanzhai Lyric
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Circulation is not a result of keeping the work moving but because we move with and against it.

梁芝蘭《東西在循環》,原文由Open File 出版,2012年,英國,http://openfile.org.uk/archive/gil-leung-things-are-circulating/

東西在循環 <br>Things Are Circulating
乜嘢鋪 We’re Open