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Emotional Architecture
Emotional Architecture
Emotional Architecture
Emotional Architecture
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Emotional Architecture
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In one room, Chinese women dressed in viridian robes reach through portals in order to massage Mexican woman working in a lettuce field in California. Meanwhile, at a rubber plantation in India, trees are tapped for their milky latex. A woman's abundant breasts and cheeks become pink when they are squeezed by compressing walls ;. “blush,” a powdery substance that references both a physical sensation and a makeup product, falls off The blush, lettuce, and rubber latex are all mixed together to create a magical object The. entire production is managed by Bunny Glamazon and Trixxter Bombshell, a Buddha-like woman on a turntable, who gives directions via telekinesis The final art object produced by this collaboration will never be physically present ;. it will ultimately be stored in an offshore safe. (“Squeeze”, Mika Rottenberg)

Failure:
"The whole thing is meant to fail on some level because you can not give shape to abstract emotions, sensations, memories, and smells."

Feminism:
"I am not sure, and maybe my work is about investigating what a" feminist statement "in 2010 will be. Sure, I want to look at systems and capitalist production from a female point of view-I am a feminist, and I believe that there still is not equality, and these are ideas that I think about. I have this claustrophobic feeling that I am physically trapped inside my body, inside my sexuality, inside my gender. I want to try to spit that out, and package it. Maybe there is a way out from oppression to liberation, when you are able to observe it—to look at it as an object. "

113 BOMB, Fall 2010 Mika Rottenberg Interviewed by Judith Hudson.

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