Both money and time are ⚖︎ ♥︎ ♒︎ „spent” ☕︎ ☔︎ ✍︎ . To spend is the blossoming of the bouquet on its way towards death. Transactions „flower” and search for other values.
Upon accepting the Welt Literature Prize in Berlin in November 2016, novelist Zadie Smith said, "Time travel is a discretionary art: a pleasure trip for some and a horror story for other." 穿時空這種技巧要自由裁量的：對某一些人來說是一件快事，對另外一些人是個恐怖故事。
對我來說那種幻想是一片霧，到了第三代的移民者，任何穿越也也只能從她／他者的座位看別人的歷史路過的東西。 我們錯過。"What would I have been and what would I have done — or more to the point, what would have been done to me — in 1360, in 1760, in 1860, in 1960?"
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唔洗驚，我哋唔會公開你嘅電郵
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Monument of Apron opened shop in 2015 as an experimental e-commerce reading experience and the online notebook of various co-conspirators along with artistic research collective Display Distribute. Collating both old and new labours of networked, female work, its 'products' feature the overstock of various projects and observations along with a surplus of thought and transaction. To 'purchase' an article here demands a re-evaluation, turning the dynamic of producer and consumer on its head with a series of questions. Be prepared to work for your 'fulfillment'.
Monument of Apron, or 圍群—a word play combining 圍裙 wéiqún (apron), that timeless utilitarian garment, with 群 qún (group, crowd, caboodle or gang)—considers all those relegated to under-compensated, thankless tasks and encourages the donning of the apron. The pocketed apron lends itself further to secrecy and theft—caching what’s owed and stowing it away for otherwise circulations. An apron is also a protector and shield. For the aproned squad, communication across picket fences and gossip are key forms of solidarity—modes of redistributive practice towards an undercommons.
參與者 With Contributions by
鄭子翹 Sonia CHENG、何穎雅 Elaine W. HO、凌明 Ming LIN、刘颖 Dongdong LIU Ying、Desireè MARIANINI、瞿暢 QU Chang、郭圓瑩 Ying QUE、吳索 Amy Suo WU、谭争劼 TAN Zhengjie
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